Monday, April 27, 2015

S is for Shikra[1]


Siraj Ahmed Taher (1942–2010). 
President Emeritus, Birdwatchers' Society of Andhra Pradesh. 
Portrait courtesy the Taher family.

In 2010 I lost two people who were very dear to me. They had studied in the same school, lived out their lives in the same city, had many common friends, at least one common hobby, and both died, within two months of each other, in the same hospital. Both were paterfamilias of more than one ‘family’—philately, and ornithology. Both had a tremendous impact on my life. Their journey into the sun was uphill.
Siraj sahib was passionate about birds. That is how we met the first time, at a meeting of the fledgling Birdwatcher’s Club of Andhra Pradesh [BCAP]. The fact that he was a generation older than me was never discussed between us, while everything else was. The Hyderabad he grew up in, the social culture of tehzeeb that made him what he was, has now vanished. He came to birds in the best way possible: First, pursuing them for sport, once a gentlemanly pastime, played to exacting rules; then swerving towards conservation, like so many of his enlightened contemporaries. I pressed him once, to tell me why he gave up his gun. He’d shot a sambhar once, a poor shot, he confessed. The injured stag blundered off into the forest. Raised in a tradition that valued a pricked conscience, he decided to follow the stricken animal and put out its agony. But the sambhar fought the inevitable for several hours, staying either unsighted, or out of range from its pursuer. When finally he caught up with it, the profusely bleeding animal was finished. The sight of the dead animal, and the realization that here was a living being that need not have died, had indeed tried to escape death, moved him immensely. With the bursting of its heart, that sambhar converted its nemesis forever towards conservation.
After a couple of outings together as part of the BCAP, we began to hit it off. To this too, there was a quirky angle, which showed the apnapan of those days.
One evening he met an old school friend of his in Riyazath Husain’s iconic bookshop on Abid Road, A. A. Husain & Co. After the pleasantries and backslapping subsided, under the convivial eye of the senior Mr Husain, Siraj sahib asked him, “Arre, ek bachcha ata hai hamare chidiyon ke club mein. Tu jaanta kya?” In a city steeped in social niceties, the use of the “tu” was reserved for those that were dear to one; unlike the rough meaning it is ascribed today.
Apna hi bachcha hai, Siraj,” chuckled my father. Again that tehzeeb—not the grasping “mera bachcha”, but the inclusive, “apna”.
In the next outing, he stumped me with a loud, “Arrey, tum bolaich nahin ki Murari ke bete hain”. Seeing me taken aback, he chortled the bookshop episode. After that, my birding outings had no querulous or disapproving looks at home. I was going out with shareef log. Thus began a life-long association with one of the finest people I’ve known. In some matters he took me under his wing, in some we did things together.
That shareef quality of the man, I think, was ultimately what drew so many people to the BCAP, which was rechristened the Birdwatchers’ Society of Andhra Pradesh [BSAP] upon its registration. The hierarchy of the organization was never apparent to any of the participants. Except for Mr Pushp Kumar, top gun in the Andhra Pradesh Forest Department, who was thus accorded a genteel deference by the elderly birders, the subtle unsavouriness of implied superiority, whether of rank, or knowledge, never left its residue on any of us youngsters. Everyone travelled together in the forest department’s jeeps, all walked to where the birds were, victuals were mutually partaken, and the day’s count discussed later in a much-anticipated circle of friendship. Topical and irreverent banter, and repartee, were the norm. This was an exceptional illustration of the altruistic spirit of those who planned, promoted, popularized, and participated in this pastime. And to my mind, the single factor that contributed to the organisation’s successful promotion of an undoubtedly new concept of outdoor activity for the citizenry of Hyderabad. Plus, who could deny that element of thrill, shrouded in the past of fondly recalled boyhood days, of a Boy Scout’s revving adrenalin, of a golden nostalgia that tugs adults to another shot at nirvana? The wilderness, and its wildlings, does such things to men.
Every specialized activity has its own terminology, and ornithology was replete with enough to confound a polyglot; its lexicon spanned classical European languages, English, Sanskrit, and the immense mythologies of the world’s cultures! This hurdle notwithstanding, our motley group soon cobbled together a bristling argot of nicknames, abbreviated codes, hand and eye signage, and often, a whistled mimicry of surprising drollness, pulsating with distinct onomatopoeic bemusement. Newcomers stood stupefied by this bunch of loonies telling time on a tree while trying to locate a bird! Siraj sahib was privy to this notorious gang, and thoroughly enjoyed the perplexity of the uninitiated. Being accepted into the group was considered a rite of passage.
His sense of fun was legendary. It often kept in good humour a tired, flagging group returning after a day of slim pickings. A master raconteur, he spiced tea breaks with stories from vintage days. In turns becoming moist-eyed-sentimental for the Days of the Beloved, or rasping street-slang Hyderabadi in his baritone.

The BSAP ‘pavilion’ at the first Pan-Asian Ornithological Conference in Coimbatore, 9–16 November 1996. L to R: Siraj Taher, M. S. Kulkarni, Noritaka Ichida (Vice-President of BirdLife International, and Chairman, BirdLife Asia Council), Tim Inskipp, and Maj. Ahmed Abdul Aziz. Photo: Aasheesh Pittie.

For Siraj sahib, every birder was special, and welcome to his home. I met many heavyweights of the birding world there, and cannot recall even one person who was not at as much ease, as he would be in his own drawing room. The city’s birding lads walked in and out as if they were visiting their own homes. To me it was always a special place. I went there for all the reasons that a deepening friendship draws two people to spend time together. Our discussions ranged from ornithology, to social behavior, politics, the philosophy of morality, and ethics; the nuances of Urdu shayari; the importance of art in comprehending the world; the unceasing turmoil that was the status of our environment; the way to take the Society forward—several ideas springing up spontaneously during conversation, which we worked on and made something of. But the deepest moments were the silences we lapsed into between words, ruminating, pondering, or simply savouring thoughts that rush in at the end of a satisfying flow of words. I always took away the comforting thought that here was someone who I could speak with about subjects that shone with clarity once the polishing strokes of give and take had burnished their cantankerous edges.

L to R: Siraj Taher, Richard Grimmett, and Aasheesh Pittie (1996). Photo: Aasheesh Pittie

The heady plan of collating our own checklist of the birds of Andhra Pradesh was cast during one such evening. Why could we not do it? It was the first step to more comprehensive ornithologies—but this was achievable by just the two of us. As often happens, the force with which an idea hits one, it also pushes out and lays bare methodologies for fructifying it in the same instant. I do not think it took us more than half an hour to decide our workflow and apportion our responsibilities. Subsequently, there must have been innumerable meetings to iron out creases, to enjoy quaint discoveries in published accounts from the past, to streamline every step so that both were on the same page with regard to content, presentation, citation, taxonomy, etc. But there was no major change; no rollback of methods; no U-turn on our road map.

Release of the Checklist in 1989, in the corridor of the A. P. Forest Dept., building. L to R: Maj. Ahmed Abdul Aziz, Pushp Kumar IFS, S. Ashok Kumar. I am talking about the work, a stack of which can be seen on the bottom left of the picture. Photo: Aasheesh Pittie.

Comparatively, the translation of the Birds of southern India, by Richard Grimmett and Tim Inskipp (2005), into Telugu, was a minefield. Collaborations were imperative because he only had a good working knowledge of the language, could be the ideal Telugu-speaking ornithologist, but was not proficient enough to take on the entire work himself. Translating the extensive lexicon of birding, into a language that seemed to have no specific, definitive words to suit scientific interpretations, had to be executed by a twin-nibbed pen: One, that wrote with bold hearty strokes, delineating the work; the other, with the fine point, working in all the telling details that illuminated the manuscript. I was the troubleshooter who tried to unclog detritus in the workflow, to ensure smooth progress. Not least of these was dealing with the names for the colours of plumage, “brownish-yellow,” “blue-green”, etc. Ultimately we did get our own Telugu colour palette! Siraj sahib worked hard and long at the manuscript, and may have taken it through at least six proofs, after, often nerve-wracking meetings with the translators. The fine pointed pens scratched away day and night, and I would notice fresh stacks of papers during our daily meetings. He had this thing for coloured inks and would mark up his sheets with differently coloured inks, each colour linking a unique chain of thought. He wrestled with extant Telugu bird names, which were invariably of a generic nature, and had the distinction of coining dozens of new ones. But it was mighty frustrating work, and often did I catch him in a reverie, absentmindedly sucking at the end of a pencil. The lack of a consensus, the engine that could have driven this naming work, rankled him. Invitees never bothered to respond, except a few, for which he was so grateful. Dialect, that verbal filigree of distinctiveness within a language, a culture, tortured him, till one day he realized the only way forward was to ignore it. One could not please everyone. When published (2007), it was a work that justified his sense of achievement, in that of his team, and in his pride that the Society was a co-author.

Siraj Taher speaking at the release function of the Telugu translation of Birds of southern India (2005) L to R: A. K. Malhotra IFS PCCF APFD, Asad R. Rahmani (Director, Bombay Natural History Society), and Shafaat Ulla. Photo: Aasheesh Pittie.

Siraj sahib, and indeed, Pushp Kumar, worked with an extraordinary zeal to promote an awareness of birds among Hyderabad’s citizenry, and as a consequence, highlighted the environment we collectively belong to. The media, both print, and radio, smelled the potential of an unique angle to pitch stories, and people began to discuss birds, the urban environment, and even the activities of the BSAP! Birds have always attracted mankind, and when brought out from the realms of literature, poetry, art, or even mythology, into the ambit of casual conversation, they ushered delight, rekindled memory, nudged people to look around and notice the natural world. The quiddity of our surroundings during our growing up years is deeply ingrained in our bones, recumbent though it may lie as we rush about our busy days. But comes a moment when memory stirs, awakened by a petrichor sprinkled upon our passivity by people like Siraj sahib, and a delightful facet of the natural world is miraculously visible to us. Birds can charm the most indifferent of people!
If passion fuels altruism, the result is joyous. Siraj sahib’s involvement with BSAP was such a phase of his life. Whether he was organizing a field outing; writing in long hand the next month’s programme on all the post cards that he would himself mail at the post office; correcting proofs of the Society’s publications; sitting with the patience of a Buddha for various permissions from a forest official; answering media persons, even when they came unprepared and posed prosaic queries; preparing environmental assessment reports of places he deeply cared about, like Kolleru Lake, and sending them to the concerned authorities on behalf of the Society; speaking to students; chairing symposia—it was all “for the birds”, as though he had an oath in heaven!

Siraj Taher being honoured as the first President Emeritus of the Birdwatchers’ Society of Andhra Pradesh (30 August 2009). Standing L to R: K. Nanda Kumar, Umesh Mani, Shanti Mani, Siraj Taher, K. Bhardwaj, and Shafaat Ulla. Seated L to R: Aasheesh Pittie, J. V. D. Moorty, Sushil Kapadia, and M. S. Kulkarni. Photo: Aasheesh Pittie.

And when his penchant for the living bird needed a rest, out would come his philatelic collection, with birds as its theme! He worked on it whenever he found time, and even displayed it successfully (winning competitions) in several philatelic exhibitions. The forest department regularly petitioned him to display it during their annual Wildlife Week celebrations, and he would willingly oblige. After all, it presented a fantastic opportunity to convert the visiting school kids to a lifetime love of birds, and philately!
He took great pleasure in the company of life-long friends, in the earthy delight of seasonal fruit, in the song of garden birds, in the pressure of his granddaughter’s tiny hand around his finger. In a sense, he did see that world in a grain of sand. And when the end came in the month of January of that fateful year, he had a befitting farewell. A gentle evening descended; the annual numaish that he enjoyed with his dear Ayesha flung high its illuminated, rotating, giant-wheel; Mukesh’s poignant, pathos-filled, “Jeena yahan, marna yahan”, wafted from that direction; and as clods of his hometown earth sprinkled the path of his onward journey, a pair of spotted owlets, his endearingly named Chakwa-Chakwi, exchanged yarns inside a dusty tamarind.
Two months later, that other person, his friend, my father, too passed away.


[1] The title is a reflection of Helen Macdonald’s visceral account of coming to terms with her father’s death, through the numbing ordeal of training a Goshawk. I’ve borrowed and changed her book’s title, here, for recalling my time with Siraj sahib has been no less wrenching. Too, he celebrated the shikra.

Tuesday, March 24, 2015

A lifelong relationship with the bookstore that changed my life: A A Husain & Co.

Books from the floor to the ceiling!




Asif Husain Arastu—Proprietor








Showkath bhai (centre) had a huge influence on my reading preferences.

From the children's section on the mezzanine.






Saturday, March 21, 2015

Random thoughts: The place for ashes

‘Scatter my ashes in places that have sustained the flame of my life,’ I nudge my children, when questions of death and the meaningless clutch of final rites enters our conversation. ‘There is no point in submerging them in alien landscapes or waterways, where my soul would wander rudderless. My solace is closer at hand, in spaces I’ve roamed during days of youth, escaping the suffocating over-bearance of civilization. That would be the ultimate celebration of a sense of place.’

But as life progresses, and unprecedented change becomes the single constant, I wonder what would happen if our personal geographies did not survive us; whither our sense of place upon this earth? Will we become outcasts in an unfamiliar terrain, or will we internalize cartographies and etch their landscapes across a remembering eye? If none of them exist till the end of our time, in their entire physicality, in their life-reviving spirituality, in their emotion-igniting empathy, in their anti-artificial naturalness, then will our romantic minds not remain their only record, and our only salvation?


So here I place on record where I would like my ashes to be flung from the hands of those who have known me, and have survived me; flung so that the wind scatters them as per its desire, on landscapes that rustled my hair as I stood knee deep in grassy seas, away from artificiality, amidst nature …

Thursday, December 25, 2014

What Shri Zafar Futehally meant to me

When he moved on to happier hunting grounds last year, the world lost a great earth citizen; I wrote of my loss and what Zafar sahib meant to me, to Mrs Futehally.



Thursday, December 18, 2014

Books I read in 2014

  1. Bombay-London-New York. By Amitava Kumar. 5/5
  2. Sightlines. By Kathleen Jamie. 3/5
  3. Istanbul: Memories and the city. By Orhan Pamuk. 5/5
  4. A portrait of the artist as a young man. By James Joyce. 3/5
  5. A river runs through it. By Norman Maclean. 5/5
  6. Butterflies on the roof of the world. By Peter Smetacek. 4/5
  7. The great work of your life. By Stephen Cope. 2/5
  8. An enchantment of birds. By Richard Cannings. 3/5
  9. Handling the truth: on the writing of memoir. By Beth Kephart. 5/5
  10. Why I read. By Wendy Lesser. 3/5
  11. The goldfinch. Donna Tartt. 5/5
  12. The elements of style. Strunk & White. 5/5
  13. The end of your life book club. Will Schwalbe. 5/5
  14. The summing up. Somerset Maugham. 5/5
  15. Ransom. David Malouf. 5/5
  16. Land of the seven rivers: A brief history of India's geography. Sanjeev Sanyal. 3/5
  17. India. A history. John Keay. (Part). 5/5. 
  18. The last wave. An island novel. Pankaj Sekhsaria. 3/5. 
  19. The collected works of A. J. Fikry. Gabrielle Levin. 4/5. 
  20. Discovering birds: The emergence of ornithology as a scientific discipline, 1760-1850. P. L. Farber. 4/5.  
  21. This is the story of a happy marriage. Ann Patchett. 3/5. 
  22. Arctic summer. Damon Galgut. 4/5. 
  23. Macbeth. Shakespeare. 5/5. 
  24. A short guide to a long life. David B. Agus. 5/5. 
  25. Their fate is our fate: How birds foretell threats to our health and our world. Peter Doherty. 3/5. 
  26. The forest unseen. David George Haskell. 3/5. 
  27. Fahrenheit 451. Ray Bradbury. 5/5. 
  28. The wind in the willows. Kenneth Grahame.  5/5. 
  29. Fire season. Field notes from a wilderness lookout. Philip Connors. 5/5. 
  30. Four fields. Tim Dee. 5/5. 
  31. The narrow road to the deep North. Richard Flanagan. 5/5. 
  32. Wilderness and razor wire. Ken Lamberton. 4/5. 
  33. People of the book. Geraldine Brooks. 5/5. 
  34. In the suicide's library: A book lover's journey. Tim Bowling. 5/5. 
  35. Claxton: Field notes from a small planet. Mark Cocker. 5/5. 
  36. The art of stillness. Adventures in going nowhere. Pico Iyer. 3/5. 
  37. The loser. Thomas Bernhard. Didn't complete. 
  38. The song of the magpie robin: A memoir. Zafar Futehally. 4/5. 

Saturday, December 13, 2014

ICRISAT diary: 07 December 2014

Lark song
An early morning sun haloed the landscape in golden light as I drove between fields of ploughed black soil, towards the dump near Patancheru cheruvu, where I hoped to see a frisky Bluethroat prance after insects. Lark song suddenly poured in through the open window, and I pulled over to the side of the track. An Indian Skylark was fluttering somewhere between the sun and me. I could not see it, but that did not matter, for it is one of those birds whose song surpasses its physical appearance in attractiveness.
            I simply stood against the car, drenched in the glorious and profuse warbling emanating from his tiny, quivering syrinx. He drifted hither and thither on vibrating wings, exploding with the wound up energy of his voluble performance. I wouldn’t be surprised if his pinions fluttered with the kinetic fervor and excitement that consumed the little creature. I would like to believe that his ecstatic levitation and buoyancy were the result of that full-throated flood of uncontrollable sound rebounding from terra firma in aural waves and cushioning him in the ether.
            Listening to him, all else fades away. I squint into the sun, but the bird is unseen, just his radiant melody floods down mesmerizing me with its repetitive strain, its slyly imitative descants, and its clever improvisations. His stamina is monstrous. The performance just goes on and on, never reducing in volume, never slowing down, and never faltering. Minutes pass and the aerial songster’s luminous art abides. What a magnificent moment; to stand still and listen to an invisible bird pouring out his heart through sunlit skies! To spy his partner crouched beside an upturned sod, awash in that rhapsodic serenade! To realize that the world’s magic, its charm, its achingly simple joys, are so easily within our reach; one simply has to connect with nature, or disconnect from artificiality.
When his time in the sun had run its course, his song ended abruptly, as though switched off, and he parachuted on cupped, outstretched wings, landing unobtrusively beside her. No one who didn’t know better, would believe that this superficially nondescript ball of feather was a virtuoso; that such a drab consumer of chitin and seed be so spectacularly endowed.
That is, precisely, the endearing charm of nature. She reveals her secrets at her own pace. Hurry she knows not, neither tolerates she impatience. But silence, stealth, and solitude are handy at divining her mysteries.

Tuesday, December 09, 2014

ICRISAT diary: 07 December 2014

Patancheru Cheruvu
As I eased onto the dirt road that is ICRISAT Campus’s boundary with Patancheru Cheruvu, a Purple Heron stood transfixed mid-way upon a connecting track. Its posture was oddly comical; one leg in front of another, halted mid-step, the beak agape, its entire body stock-still. How odd was that! Normally, it should have taken off at my proximity.
            Looking up the road I was to drive on, I saw three mongooses. The fur of one was all ruffled up, as though it had had a vigorous Turkish towel rubdown, after a dipping. Two Herpestes edwardsii were on the right side of the track, and a third emerged under the chain-link fence that marked the boundary. The couple was intent upon something beyond the fence, on Patancheru Tank.
            I followed their gaze and through the ipomea-veined links spied a female Marsh Harrier perched gingerly on semi-floating vegetation. She was clearly uncomfortable, shifting her position this way and that.
            The mongooses looked distinctly unhappy, almost dying to complain about something. After hesitating for three or four minutes, they crossed the road with much raising and lowering of heads, taking furtive sniffs of the air; with minced, floppy footwork, strangely reminiscent of an indecisive hyena. Their attention evidently was riveted upon the harrier, which, momentarily, rose with an eight-inch limp fish hooked on its talons, landed on firmer ground, and commenced breakfast.
            Minutes before this drama Circus aeruginosus was seen harrying water birds, flushing ducks and sandpipers. Clearly it had been on the hunt awhile, as its aggression seemed to flush the birds. But he had no luck with them.
            So who killed the fish? Was it the mongoose trio that did it, creating a ruckus over the prey that attracted the hungry bird that pirated away their prize? Or did the harrier come by the fish first and the mongooses simply coveted it? Did the heron at all play a part?
            Every moment is filled with the drama of life in the wilderness. Luck, and chance, play their hands in revealing the poignancy of a pageant sometimes, which has its delights. Stealth, patience, and watchful silence are no less powerful tools in a naturalists’ toolbox, and provide the greater satisfaction to an inquiring mind.
            The mystery of the behavior of those four creatures remained. Perhaps with my intrusion into their landscape I had perpetrated events that one or the other could not foresee, and a third benefitted!

* * * * *

Eucalyptus plantation, southern perimeter
A Short-eared Owl-sized bird of prey flew away from me on the road bordering the eucalyptus plantation huddled at the extreme southern border of the campus. It must have been perched on one of the trees that lined it.
            Straining through the windshield for some distinguishing features on the rapidly disappearing rear profile, all I could register was an ochre brown wash, concentrated in the tail region. Too, that its secondaries were held perfectly horizontal and the propulsion was from an energetic flicking of the primaries, carpal joint outwards.
            I had stalled the car in my excitement at the thought of an Asio, and could merely watch as it dipped into the leafy sanctuary about 100 m ahead. My adrenalin draining as it disappeared into the trees.
            Viewed upon the horizon from a distance, the trees were impressive, even grove-like. But up close they had the frigid regimentation of plantations. I wondered whether this stood as a windbreak, or for timber. There was no undergrowth. The trees stood like soldiers on parade, at arm’s length from each other. On the other side of the road, a meadow of thigh-high grass flourished.
            I drove on, beyond the point where the bird had disappeared, switched off the car and climbed out into a partially tamed landscape. A railway line paralleled away not far beyond ICRISAT’s boundary, and the combustion engine roared periodically on the outer ring road. But once I put that behind me, the land rolled away nicely without an object of artificiality, a scarce commodity in urbania but a solace for concrete-weary eyes!
            A hen Montagu’s Harrier coasted the eddies above the platinum blonde grass with such effortless ease that one wondered whether that flamboyance was at all the function of heart, muscle and feather. Entranced I watched her slide and turn and pirouette, and albatross into the breeze to gain height, and slip and curve to catch the invisible element repeatedly under her masterly sensitive pinions. All the time her white-framed facial disc faced earthward focusing owlish eyes and ears on the tiniest movement and breath that betrayed fear, in the feathered or the furred. What a formidable combination of power and grace, of locomotion and concentration, of economy and extravagance!
            I walked back, the way I’d driven, pausing now and then expectantly. But no owl flushed. I stood a while, taking in the serenity, and then returned to the car. Just before opening its door I looked along the ruler-straight tree line, and from the apex of a eucalypt, mid-way down that line, a Butastur teesa blazed its white eye at me. Motionless and ramrod straight it stared me down from its height. This was the raptor I’d disturbed and its displeasure lasered me with that lacerating eye. Were its talons kneading its frustration into its perch? Such a soundless moment of heightened consciousness was it, in that pocket wilderness, when I realised that despite all caution and stealth, and desire to mingle, human presence would always remain an intrusion in the world we walked away from.

Tuesday, October 21, 2014

ICRISAT diary: 12 October 2014

Barn Swallows pepper the skies. The mind flutters to think that their fluid flight has power enough to propel these feather-light globetrotters across the crumpled and ruptured geography of continents, over the endlessly curving horizons of oceans, keeping faith to a genetic clock whose earth-girdling pendulum swings them between the high points of procreation and perpetuity. And here they stretch a horizontal seine, an animated mobile net over marsh, open water, open crops, snaring the massed arthropods in their flying gapes!

* * * * *

In black cotton soil stood three Indian Coursers. The field had been prepared in neat rows, as most fields seemed to have been, and their accordion canvas revealed these smooth humped creatures on their bleached bone skeletal legs. The symmetry of their beings is such a powerful magnet. We glass them, twisting uncomfortably in the car, whispering our awe to each other, scared our movements might scare them into flight. They too seem frozen in fear, or that supreme confidence cryptic creatures have in their invisibility. The tension is palpable. Their tricoloured heads, black, white, and shades of sand, remain fixed at one angle for endless minutes. When they relax, it’s the head they move first, easing the crick in their larynxes; one cocks a black iris skyward, another looks away and I glimpse the tricoloured ‘V’ at its nape. Gradually they begin their comical dart-stoop-straighten-dart form of foraging, moving away from us imperceptibly.

* * * * *

Opposite the Red Tank, separated by the raised earthen road, and at a much lower level than either, lie inundated paddies. They’ve been freshly planted, at least two fields, and the sprouting crop of rice is still thin; much soggy ground clearly visible.
            Three Common Snipe stand in ankle-deep water like earthworks. When one tilts and inserts its straw length bill into the squelch, does it sip up the earth and become dun-coloured? When still, they coalesce in their surroundings, gathering the mantling sky and the cradling earth into their protruding nocturnal eyes. In flight, are these bedazzled in the shining light of day, zigzagging the rocketing snipes as they skim towards escape?
            Their hungry companions in the field are a few jittery and cautious Spotted Sandpipers. Both birds more seasoned than the swallows as world tourists, returning to India once the monsoon has quenched her bone-dry pelage and the depressions in her contoured landscape softened with reflections from the liquid succor they hold. They form the vanguard of the teeming flocks that will arrive as the cooler months progress.

* * * * *

Treading a trembling floating world of plant and water, Purple Swamphens utter shrill creaks, as though freaked out by the sudden sensation of sinking unbidden. They mime a scuba diver crossing overland, as they exaggeratedly lift their reed-stalk toes high over recumbent soggy water plants, pantomiming stealth, and place them cautiously upon floating fronds.

            Several were on firm ground, twitching their stubby white tails up over their backs as they strolled in the thin shadows cast by reeds on the margins of banks. I saw one reach up to a seeding grass head, with its beak, and bend it to be clasped in the folded skeletal umbrella of its grotesquely long toes, then clean the seeds into its mouth with a sideways swipe of its partially open crimson beak. Their feathers are a frenzied palette of the azure and verdure world, now dominated by dark hues of shadows, now bouncing the light of the sky through emeralds. Yet my eyes miss their robust rotundity in their marginal world of land and water.